Under the Banner of Heaven (2022)

Where to find it: Disney+ Star, apparently
Length: Seven 45-minute episodes
Synopsis: A Mormon police detective investigates a brutal crime which causes him to examine his faith and church
Recommendation rating: 4/5

What I like about it: the use of flashbacks to create mounting tension and explain LDS history, absorbing acting and writing, prestige TV without long boring opening titles
What I don’t like about it: it is yet another dark prestige true crime miniseries

Review:
From the first episode of this series, we are thrown into the weird world of Utah – its expansive rural families, unique religious vocabulary and inescapable smell of theocracy – and it’s as fascinating, dark and hard to leave as the state itself. Andrew Garfield channels the spirit of Ned Flanders to portray a small-town detective investigating a standard Fincheresque grisly murder while trying to accomodate his new partner, a Paiute Native hardened Vegas cop – a fun dynamic. As their investigation progresses, flashbacks show their victim marrying into a very large and prominent Mormon family and gradually finding herself at odds with their patriarchal lifestyle. A second set of flashbacks go back even further, to the early days of the Church of Latter Day Saints and particularly its history with polygamy, and are used to make connections between the fundamentalist beliefs of the murderers and the historical events that inspired their mindset. All very psychological and interesting.

Content notes (may contain spoilers): murder (femmicide, infanticide), child sexual abuse, controlling patriarchal behaviour

The Outlaws (2021) Season 1

Where to find it: BBC iPlayer
Length: Six 1-hour episodes
Synopsis: A diverse group meet in Bristol for court-appointed community service and become entangled in local organised crime
Recommendation rating: 3/5

What I like about it: funny and snappy dialogue, characters and plot which eventually become engaging, fun pacing
What I don’t like about it: the characters begin as crude satirical stereotypes and the premise and plot feel cheesy through the first half of the series, it’s more than a bit contrived

Review:
It took me several tries to care about Stephen Merchant’s new series because it has such a weak opening; a fun premise is marred by characters made of straw and used as target practice for the show’s admittedly very strong jokes. Had I binge-watched the show, this may have been less noticeable because by the latter half of the season they were more fleshed out and easier to care about and by the end I felt the contradictions within and between each member of the group had been fully explored and partially resolved, the perfect end point of the story circle. It’s nice to see a TV show get an honest first season that doesn’t just feel like a pilot for a hopeful franchise and it makes me all the more excited to see a second.

Content notes (may contain spoilers): drugs and alcohol, racism and prejudice, police and crime, mental health (particularly histrionic “personality disorder”), some peril but little violence