Fallout (2024)

Where to find it: Amazon Prime Video
Length: Eight 1-hour episodes
Synopsis: Yet another adaptation playing it safe with their big budget
Recommendation rating: 3/5

What I like about it: acting, sometimes looks good, some good scenes
What I don’t like about it: formulaic, padded, poorly written, often looks bad

Review:
Ella Purnell plays a guileless sheltered liberal who explores the wasteland, chasing a series of macguffins and running into Walton Goggins as a hardened cowboy zombie. It’s entertaining enough but twice as edgy and half as satirical as it should be, full of stock dialogue and stretched-out scenes of violence. The animation and soundtrack are both inconsistent, often falling flat.

Content notes (may contain spoilers): violence, gore, brief obligatory sex scene in the pilot

Search Party (2016)

Where to find it: BBC iPlayer
Length: Fifty 25-minute episodes
Synopsis: Genre-hopping blistering satire about self-involved millennials
Recommendation rating: 4/5

What I like about it: satirical, engaging, constant reinvention, comic acting
What I don’t like about it: inconsistent (gets better as it goes)

Review:
Four selfish Brooklyn hipsters investigate the disappearance of a college acquaintance, things escalate. The last three seasons in particular are full of ambition and quality but nearly impossible to talk about without spoilers.

Content notes (may contain spoilers): violence, sex, swears (after switching network in season 3), slurs

Such Brave Girls (2023)

Where to find it: BBC iPlayer
Length: Twelve 25-minute episodes
Synopsis: Pitch dark sitcom about personality disorders
Recommendation rating: 5/5

What I like about it: brilliantly funny, well-informed and acted
What I don’t like about it: the envy I feel over how genius it is

Review:
Josie has just got out of inpatient psychiatric care and is back living with her mum Deb and sister Billie, the driving forces behind Josie’s very low self-esteem and lack of stable identity. Narcissistic Deb is dating a widower for his money and Billie is desparate to find a man who won’t leave her like their dad did.

It feels like therapeutic shitposting and every laugh – which thanks to the tight script and comedic gestures of the actors come thick and fast – is tinged with an “ooof that’s dark”. It’s scarily relatable and fantastic work from writer-star Kat Sadler.

Content notes (may contain spoilers): some of the least erotic sex on television, bodily fluids, unhealthy relationships

Carol & The End Of The World (2023)

Where to find it: Netflix
Length: Ten 30-minute episodes
Synopsis: Autistic woman longs for routine amid the apocalypse
Recommendation rating: 3/5

What I like about it: representation, ambitious
What I don’t like about it: ugly and slow (albeit intentionally)

Review:
The main character of this adult animated comedy-drama, Carol Kohl, is 42 and unemployed when a planet mysteriously appears in the sky, due to collide with Earth and wipe out all life in 8 months. This causes the breakdown of society, with people choosing to follow their dreams and make the most of the time they have left. Carol is encouraged to do the same but she enjoys her routine and doesn’t desire adventure.

It was very nice to see such a person represented, enjoying a small life even if it’s limited. As expected for a series about routine, it’s very decompressed and ponderous but overall sweet and artistic.

Content notes (may contain spoilers): sex and nudity, corpse

Deadloch (2023)

Where to find it: Amazon Prime Video
Length: Eight 1-hour episodes
Synopsis: Australian comedy-murder mystery
Recommendation rating: 3/5

What I like about it: fuuny, good characters, sustains interest
What I don’t like about it: a little long, tone doesn’t always mesh, underwhelming payoff

Review:
In this example and parody of dark murder mysteries, a Tasmanian cop finds that the town’s misogynistic men are being murdered and has to partner with a brash out-of-town detective to find out whodunnit. The comedy and mystery elements blend surprisingly well though not perfectly, especially at first.

Content notes (may contain spoilers): violence

Top Ten Albums of 2023

It was a year of surprises = André 3000 played the flute, Lil Yachty went prog and Rebecca Black made a competent hyperpop album. While not being a great music year overall, there were excellent new releases from Penelope Scott, ANOHNI and The Go! Team, among others. Here are ten albums which interested me this year:


1) Madeline Kenney – A New Reality Mind

All the elements of this electronic folk pop(?) album came together very well – the lyrics, vocals, composition, production are all great. Her choices are always fascinating without being inaccessible and I really enjoy listening to it closely.
If you like this, try: Lloyd Cole – On Pain; Birdy – Portraits

2) African Head Charge – A Trip to Bolgatanga

The longstanding psychedelic dub act deliver a journey through several African genres and influences which feels surprisingly cohesive overall. Great vibes.
If you like this, try: Bixiga 70 – Vapor; TEKE:::TEKE – Hagata

3) Arlo Parks – My Soft Machine

A second helping of Parks’ artistic R&B-based pop, effortlessly poetic and entrancing.
If you like this, try: Vagabon – Sorry I Haven’t Called; Joy Oladokun – Proof of Life

4) Oneohtrix Point Never – Again

Glorious strings start to glitch and begin one of the wildest rides ever recorded. An ambitious electronic album from the experimental producer, executed to perfection and probably the best album of the year. It takes great skill to sound this weird and this good at the same time.
If you like this, try: Faten Kanaan – Afterpoem; Katie Gately – Fawn/Brute (which isn’t electronic but it sure is weird)

5) Alison Brown – On Banjo

A fun, pretty instrumental set that manages to avoid being a rote exercise in bluegrass by featuring many other instruments, allowing the banjo to often fade into the background, anchoring the confidently composed songs without overpowering them.
If you like this, try: Joey Alexander – Continuance; Dave Stewart and Hannah Koppenburg – Cloud Walking

6) Nuit Incolore – La loi du papillon

Unapologetically bombastic queer French dance pop with far-reaching influences and a layered, maximalist sound.
If you like this, try: Munya – Jardin; Wild Nothing – Hold

7) Laura Groves – Radio Red

Shipley, West Yorkshire’s very own Laura Groves returns as a full-fledged adult, 14 years after her debut as Blue Roses. This is a beautiful, carefully-crafted alternative pop album with musical and lyrical depth.
If you like this, try: Ailbhe Reddy – Endless Affair; Beyonne – Temporary Time

8) GoGo Penguin – Everything is Going to Be OK

Manchester jazz trio provide a consistently interesting and enjoyable ambient set with electronic flourishes and memorable hooks.
If you like this, try: Eluvium – (Whirring Marvels In) Consensus Reality; Mammal Hands – Gift from the Trees

9) Joanna Sternberg – I’ve Got Me

Strong emotive songwriting, sparse but playful accompaniment and a characterful, gender-neutral voice make this my favourite folk album of the year.
If you like this, try: boygenius – the record; Ben Folds – What Matters Most

10) be your own PET – Mommy

A welcome return from the Nashville punk rockers, Mommy is a rousing and humorous kink-themed set that touches on aging, insecurity and grabbing life by the throat anyway.
If you like this, try: Paramore – This is Why, Black Honey – A Fistful of Peaches

Scavengers Reign (2023)

Where to find it: Not yet streaming in the UK
Length: Twelve 25-minute episodes
Synopsis: Exceedingly imaginative animated sci-fi
Recommendation rating: 5/5

What I like about it: immersive, imaginative, well-written, intricate animation
What I don’t like about it: brutal, some of the voice acting

Review:
An animated science-fiction drama for adults, this show finds spaceship crew members stranded on a hostile and confusing alien world. Though it’s easy to see their anime (Miyazaki, Kon, Otomo) and philosophical sci-fi (Annihilation) influences, they blend them well to create an engaging universe and story and even manage to explore themes of existentialism, morality and human nature along the way. Particularly well-suited for a binge-watch.

Content notes (may contain spoilers): gore, body horror, violence, swears

High School (2022)

Where to find it: Amazon FreeVee
Length: Eight 25-minute episodes
Synopsis: Tegan & Sara biopic
Recommendation rating: 4/5

What I like about it: thoughtful, more realistic than anything aimed at teens
What I don’t like about it: grunge/alt-rock soundtrack not my scene

Review:
Clea DuVall adapts a memoir by Canadian singers Tegan & Sara into a wise and wistful series about adolescence. Uses quiet reflection and a shifting point-of-view to great effect, you’ll feel a lot of empathy for the characters.

Between this, Sprung and comfortable comedy Primo, it’s a surprisingly high batting average for Amazon’s ad-supported service.

Content notes (may contain spoilers): mental illness, drugs and alcohol

One Piece (2023)

Where to find it: Netflix
Length: Eight 50-minute episodes
Synopsis: Eternal child Monkey D. Luffy gets himself a ship and crew and sets off to become King of the Pirates
Recommendation rating: 4/5

What I like about it: absurd silliness, incredible VFX, commitment
What I don’t like about it: $19m/episode and still it’s just One Piece, Emily Rudd

Review:
When asking themselves if some element of long-running manga/anime One Piece was too silly to depict in live action, the creators of this series always answer, no. It’s a level of commitment and love for the franchise that soon won me over even though I had no interest to begin with. Every penny of its $150,000,000 price tag shows in its amazing effects and set pieces (it wasn’t spent on big names, though its young cast mostly do a great job). It’s a very silly live-action anime and an exceedingly fun diversion – like Speed Racer but much better.

Content notes (may contain spoilers): violence, self-injury, cannibalism

Interview With The Vampire (2022)

Where to find it: Buy on Amazon, now on iPlayer
Length: Seven 50-minute episodes
Synopsis: Camp, gory gothic fun à la True Blood
Recommendation rating: 3/5

What I like about it: writing, acting
What I don’t like about it: source material, season 2 a step down but still fun

Review:
Aging New Journalist Daniel Molloy travels to Dubai to re-do an interview with immortal vampire Louis De Pointe Du Lac, who tells the story of his afterlife through flashbacks. It’s a remarkably clever adaptation and is paced reasonably well.

Unfortunately it’s still Anne Rice – accursed grandmother of a million Twilights – and her flowery prose and unsettling obsession with young flesh make it to screen largely unscathed. Adds some good stuff around Louis being Black and a pimp in 1910s Storyville but criminally under-utilises its “birthplace of jazz” setting.

Content notes (may contain spoilers): violence, gore, sex, sexual assault, racism, domestic abuse