The Last Supper (1995)

Throughout September I will be raiding my collection of favourite movies to review one a day, with a focus on overlooked and underappreciated films.

Where to find it: Rent on Amazon
Length: 90 minutes
Synopsis: Liberals decide to kill conservatives
Recommendation rating: 3/5

What I like about it: clever themes, good ending, biblical imagery
What I don’t like about it: mostly a talky play and not a great one

Review:
A group of friends gather for a regular dinner party, they discuss liberal political topics and quaff expensive wine. They take in a stranded traveller who does not share their views and in fact turns out to be very racist. This escalates into a confrontation in which one of the group kills him. After clearing away the mess, they find they have quite the taste for killing awful conservatives and even flatter themselves that doing so may “prevent the next Hitler” and so they arrange to do it again, this time intentionally inviting people whose opinions they dislike and poisoning them. They do it again and again, with increasingly less stringent vetting, before an ending ties the themes up nicely and makes a solid, somewhat-unexpected statement in doing so. Not a great film overall but well worth watching for the execution (pardon the pun) of its ideas.

Content notes (may contain spoilers): violence, racism and hateful dialogue

Sorry to Bother You (2018)

Throughout September I will be raiding my collection of favourite movies to review one a day, with a focus on overlooked and underappreciated films.

Where to find it: Rent on Amazon (sometimes on iPlayer)
Length: 110 minutes
Synopsis: Surreal social comedy about ‘hustle culture’ and labour relations
Recommendation rating: 5/5

What I like about it: radical, hilarious, cool
What I don’t like about it: gets weird

Review:
The Coup frontman and avowed communist Boots Riley makes his directorial debut with this parable of modern life. LaKeith Stanfield plays Oakland telemarketer Cash Green (*smirk*) who finds a secret that improves his job performance and splits his loyalties away from his less-successful friends, who are organising a union. Things come to a head when he ingratiates himself with his Silicon Valley CEO and sees life from his perspective. It’s absurd from early on and gets so surreal at the end that it’s all people tend to remember of the film if they don’t get it, but it’s genius.

Content notes (may contain spoilers): violence, body horror

The Importance of Being Earnest (1952)

Throughout September I will be raiding my collection of favourite movies to review one a day, with a focus on overlooked and underappreciated films.

Where to find it: YouTube
Length: 90 minutes
Synopsis: Classic comic play
Recommendation rating: 3/5

What I like about it: wordy, hammy, fun
What I don’t like about it: unimportant, problematic

Review:
The most popular and successful of Oscar Wilde’s plays, this bawdy farce finds two rakes assuming false identities to woo various ladies. Many quotable lines and fun farce with an unbearably syrupy ending.

Content notes (may contain spoilers):

The Black Power Mixtape: 1967-1975 (2011)

Throughout September I will be raiding my collection of favourite movies to review one a day, with a focus on overlooked and underappreciated films.

Where to find it: YouTube (may not be the best copy)
Length: 100 minutes
Synopsis: Documentary on the Black Power movement
Recommendation rating: 5/5

What I like about it: great film, great subject
What I don’t like about it: it’s not narrative, more a meditation

Review:
Through the years featured in the title, a Swedish documentary crew toured the United States, interviewing figures involved in the Black Power movement – including Angela Davis, Kwame Ture and Huey Newton – for a sympathetic television documentary back home. Here, this footage is raided and assembled with modern-day voiceovers from Angela Davis, Talib Kweli and Questlove, among others. The intimate access gotten by the Swedes makes this unmissable – see an extended prison interview with Davis, Ture burning his draft card and a class of Black Panther children turning Wilson Pickett’s Land of a Thousand Dances into an anti-police resistance chant.

Content notes (may contain spoilers): racism, violence, guns

Le Diner de Cons (1998)

Throughout September I will be raiding my collection of favourite movies to review one a day, with a focus on overlooked and underappreciated films.

Where to find it: Rent on Amazon
Length: 80 minutes
Synopsis: French farce
Recommendation rating: 3/5

What I like about it: wordplay, farce, not too long
What I don’t like about it: requires significant attention

Review:
Rich snobs hold a regular dinner party where they compete to bring the biggest “idiot”. One of them meets his match in his latest mark and his life unravels in the style of a farcical play. A fun mix of comedy-of-manners and comedy-of-errors.

Content notes (may contain spoilers): ableism in dialogue, less in plot

Thoroughbreds (2017)

Throughout September I will be raiding my collection of favourite movies to review one a day, with a focus on overlooked and underappreciated films.

Where to find it: Netflix
Length: 92 minutes
Synopsis: Anti-social young woman makes a friend and they plan a murder
Recommendation rating: 4/5

What I like about it: the acting, the ending, the best depiction of antisocial personality disorder in film
What I don’t like about it: grim and slow

Review:
Amanda (the wonderful Olivia Cooke) is a teenage loner who doesn’t feel emotions. Her mother pays another young woman, Lily (the brilliant Anya Taylor-Joy), to socialise with Amanda under the guise of tutoring sessions. Lily is abused by her stepfather and Amanda, who has experience killing a horse, has a suggestion how they can deal with that. Together they rope in drug dealer Tim (the late, magnificent Anton Yelchin) to get rid of him.

The ending of this one really distinguishes it as, far and away, the best thriller I’ve ever seen featuring a ‘psychopath’ – and there are so many. It raises many questions about empathy and feeling and lying to oneself, becoming the quintessential film on ASPD, in my opinion.

Content notes (may contain spoilers): blood, gun, drugs, implied abuse, haunting end, personality disorder

Isadora (1968)

Throughout September I will be raiding my collection of favourite movies to review one a day, with a focus on overlooked and underappreciated films.

Where to find it: No streaming
Length: Two and a half hours
Synopsis: Isadora Duncan
Recommendation rating: 3/5

What I like about it: Vanessa Redgrave, dancing, pretentious, beautiful and weird
What I don’t like about it: too long, almost no pace, Red Shoes is a better dance movie if you only have room for one in your life

Review:
Vanessa Redgrave doesn’t wear much and dances a lot as the bohemian ‘Mother of Modern Dance’. Much like its subject, the film is free-form, exhibitively pretty and ends suddenly.

Content notes (may contain spoilers): death, grief, nudity

Flora & Ulysses (2021)

Throughout September I will be raiding my collection of favourite movies to review one a day, with a focus on overlooked and underappreciated films.

Where to find it: Disney+
Length: 90 minutes
Synopsis: Precocious youngster befriends squirrel, reunites parents
Recommendation rating: 5/5

What I like about it: funny, smart, visual references to other movies, great CGI
What I don’t like about it: nothing, it’s great

Review:
The biggest surprise of last year, I expected this Disney movie about a girl and her CG squirrel to be formulaic fluff and well, it is but they nailed every aspect of the formula. Cute, funny, snappy and family-friendly, even at my grouchiest I can’t find anything about this movie to hate on. The cast of Ducktales (2017) are reunited in this one, something which cannot be an accident and it has a similar sense of humour to that cartoon. The squirrel’s animation is amazing, as is the young lead actor.

Content notes (may contain spoilers):

Michael Collins (1996)

Throughout September I will be raiding my collection of favourite movies to review one a day, with a focus on overlooked and underappreciated films.

Where to find it: Rent on Amazon
Length: little over 2 hours
Synopsis: Biopic on the IRA’s top general from the Easter Rising to the Civil War
Recommendation rating: 3/5

What I like about it: history, tactics, guerrila warfare
What I don’t like about it: Julia Roberts is awful, Alan Rickman not a lot better

Review:
Liam Neeson plays the title role of the reluctant but dutiful soldier. Features great history such as his surgical co-ordinated assassination of British Army officers and the British Army’s massacre of civillians which followed, as well as de Valera’s prison break and the start of the Irish Civil War.

Content notes (may contain spoilers): violence

Shiva Baby (2020)

Throughout September I will be raiding my collection of favourite movies to review one a day, with a focus on overlooked and underappreciated films.

Where to find it: Rent on Amazon
Length: 95 minutes
Synopsis: Impressive psychological dramedy about young adulthood
Recommendation rating: 4/5

What I like about it: fascinating, often funny, great direction
What I don’t like about it: can be unpleasant, slow to build

Review:
A young Jewish woman caters a shiva with three unwelcome guests – her sugar daddy, her successful ex and a crying baby. Debuting writer-director Emma Seligman is a genius and the baby is used to incredible effect, their crying punctuating heavy moments for the lead character, and my favourite directing touch in this is how the baby isn’t shown and it becomes noticeable that the main character is avoiding looking at them, until she does and we get a radiant two-second insert of the little darling before she has a complete meltdown. Amazingly well-made.

Content notes (may contain spoilers): a baby screams most of the way through the movie, sex work, eating disorder